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Saru Garg

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‘Everything Everywhere All at Once’ is a frenetic, hallucinatory masterpiece

By Saru Garg · Wednesday, April 13, 2022

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‘Antibodies (Do You Have The)’ examines inequity, intimacy in COVID-19 era

By Saru Garg and Brammhi Balarajan · Saturday, April 10, 2021

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‘French Exit’ Is Not Worth the Entrance Fee

By Saru Garg · Friday, April 2, 2021

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Sundance Film Festival 2021: International Films Command Attention

By Saru Garg · Tuesday, Feb. 16, 2021

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Sundance Film Festival 2021: The Experience of a Lifetime

By Saru Garg · Friday, Feb. 12, 2021

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‘Minari’ Subtly Dismantles the American Dream

By Saru Garg · Tuesday, Feb. 9, 2021

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Year in Review: 2020’s Best Movies Contemplate Connection

By Saru Garg · Monday, Jan. 4, 2021

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‘Nomadland’ Is a Human Exploration of What It Means To Be Home

By Saru Garg · Friday, Dec. 18, 2020

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Chicago International Film Festival Tackles Meaning and Mundanity of Life

By Saru Garg · Saturday, Nov. 7, 2020

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#ATLFF20: ‘Milkwater’ Is a Pregnancy Drama That Delivers

By Saru Garg · Sunday, Oct. 4, 2020

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