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Thursday, Dec. 26, 2024

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Anastasia Knudsen

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Clarice Lispector’s ‘An Apprenticeship’ Finds the Extraordinary Within the Ordinary

By Anastasia Knudsen · Sunday, April 25, 2021

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Ishiguro’s ‘Klara and the Sun’ Views a World Through a Robot’s Eyes

By Anastasia Knudsen · Monday, April 12, 2021

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Julien Baker’s ‘Little Oblivions’: Soundtrack of Your Next Existential Crisis

By Anastasia Knudsen · Monday, March 15, 2021

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Patricia Lockwood Speaks Internet in ‘No One Is Talking About This’

By Anastasia Knudsen · Monday, Feb. 22, 2021

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‘The Hill We Climb’ Asks How We Write America’s Story

By Anastasia Knudsen · Wednesday, Jan. 27, 2021

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‘Hillbilly Elegy’ Regurgitates Tired Stereotypes of Appalachia

By Anastasia Knudsen · Friday, Dec. 18, 2020

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HBO’s ‘Coastal Elites’ Untimely, Irrelevant

By Anastasia Knudsen · Monday, Oct. 19, 2020

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‘Shirley’ Unmasks the Real Monster: Toxic Masculinity

By Anastasia Knudsen · Sunday, July 12, 2020

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Max Richter and ACME a Successful Opening to the 2018-2019 Concert Series

By Anastasia Knudsen · Tuesday, Oct. 2, 2018

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