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Wednesday, Dec. 11, 2024

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Arts & Life

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Symposium XI: A Showcase Worthy of Its Greek Namesake

By Aidan Vick · Tuesday, Nov. 5, 2019

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‘The King’ Is Hardly a Crown Jewel

By Saru Garg · Tuesday, Nov. 5, 2019

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‘Wicked’ at the Fox Theatre Brings Joy Throughout the Land

By Joel Lerner · Tuesday, Nov. 5, 2019

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‘Jojo Rabbit’ Feels a Little Too Soft

By Rhett Hipp · Tuesday, Nov. 5, 2019

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Clairo Combines Charm and Clear Sincerity

By Gaby Blade · Tuesday, Nov. 5, 2019

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‘Wounds’: Armie Hammer Can’t Save This Uneventful Thriller

By Eythen Anthony · Saturday, Nov. 2, 2019

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‘The Lighthouse’s’ 2 Stars Shine Bright

By Rhett Hipp · Thursday, Oct. 31, 2019

The Emory Wheel

Doolino Knows Best: Burritos Before Bros

By Doolino · Wednesday, Oct. 30, 2019

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Popular Treats Get Dressed Up For Halloween

By Maya Deogun · Wednesday, Oct. 30, 2019

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Atlanta Seasonal Events Bring Screams, Cheers

By Angela Tang · Wednesday, Oct. 30, 2019

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Hunting for Haunted Atlanta Locations

By Bonny Minn · Wednesday, Oct. 30, 2019

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Rico Nasty Falls Behind EarthGang at Emory Homecoming

By Shantell Dasilva · Tuesday, Oct. 29, 2019

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WMRE Localsfest Spotlights Atlanta Bands on the Rise

By Elizabeth Greene · Tuesday, Oct. 29, 2019

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‘Parasite’ Is an Enthralling, Knockout Film About Class Inequality

By Caleb Jones · Tuesday, Oct. 29, 2019

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Scott Laudati Captivates with ‘Camp Winapooka’

By Bella Ross · Tuesday, Oct. 29, 2019

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Jenny Slate Revealed (in her ’Stage Fright’ Netflix Special)

By Angela Choksi · Tuesday, Oct. 29, 2019

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‘La Cage aux Folles’ Serves Campy Charm on Low Budget

By Charlotte Selton · Tuesday, Oct. 29, 2019

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Despite Charismatic Cast, ‘The Current War’ Is Confusing and Convoluted

By Joel Lerner · Sunday, Oct. 27, 2019

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Students Fiercely Compete for Drag Title

By Maya Deogun · Wednesday, Oct. 23, 2019

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Weinberg Weil’s Path from the Olympic Pool

By Sadie Schwartz · Wednesday, Oct. 23, 2019

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Atlanta, keep investing in diversion over detention

Dear Doolino, someone’s beefing with me — help me convert to vegetarianism!

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