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Monday, Dec. 2, 2024

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Arts & Life

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Psychedelic Porn Crumpets’ lead singer talks van life, upcoming album

By Spencer Friedland · Saturday, Dec. 31, 2022

The Emory Wheel

Latino Youth Leadership Conference on Emory’s Campus makes lasting impact

By Sophie Reiss · Monday, Dec. 19, 2022

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Why you should embrace your Spotify Wrapped

By Ari Segal · Friday, Dec. 9, 2022

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The crossroads of campus and community

By Xavier Stevens · Tuesday, Dec. 6, 2022

Film review: “The Menu” serves up deliciously violent satire with every course

By Nathan Rubin · Monday, Dec. 5, 2022

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Film review: ‘Bones and All’ marinates in a brine of beauty and disgust

By Bridget Mackie · Monday, Dec. 5, 2022

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Concert Review: The 1975 performs at their very best at State Farm Arena

By Amiee Zhao · Sunday, Dec. 4, 2022

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Coca-Cola Roxy: where live music sinks or swims

By Eliot Vaughey · Sunday, Dec. 4, 2022

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Weyes Blood radiates hope on ‘And in the Darkness, Hearts Aglow’

By Easton Lane · Sunday, Dec. 4, 2022

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Magdalena Bay’s “Mercurial Tour” met with love in Atlanta

By Michael Blankfein · Thursday, Dec. 1, 2022

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Nas continues artistic renaissance on triumphant ‘King’s Disease III’

By Ari Segal · Monday, Nov. 28, 2022

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Artwork as memory: ‘the ocean wept rainbows’ at the MOCA GA

By Zimra Chickering · Sunday, Nov. 27, 2022

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Find yourself on the dance floor with WizKid’s “More Love, Less Ego”

By Sam Bartlett · Thursday, Nov. 24, 2022

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Martin McDonagh’s shines once again in ‘The Banshees of Inisherin’

By Spencer Friedland · Wednesday, Nov. 23, 2022

The Emory Wheel

Indian Cultural Association hosts first off-campus Diwali celebration in three years

By Anika Kapur · Tuesday, Nov. 22, 2022

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MICHELLE brings catharsis, community to Atlanta’s Aisle 5

By Mila Kocic · Monday, Nov. 21, 2022

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‘My Policeman:’ an arresting romantic tale, despite lackluster script

By Nathan Rubin · Saturday, Nov. 19, 2022

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‘The Wolves’ examines identity, competition, feral girlhood

By Mitali Singh · Saturday, Nov. 19, 2022

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In “It Starts With Us,” every end has a new beginning

By Emily Ma · Thursday, Nov. 17, 2022

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‘Weird’ wields the knife of parody with precision

By Bridget Mackie · Thursday, Nov. 17, 2022

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Kendrick Lamar celebrates, contemplates on ‘GNX’

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Crime Report: Entering an automobile, underage drinking, invasion of privacy

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