Alumna reflects on finding ‘real purpose’ in Emory’s Dance Program experience By Gracie Evans · Friday, March 24, 2023
Plaza Theatre owner talks reopening Tara Theatre this Spring By Nathan Rubin · Friday, March 24, 2023
Marriage Pact facilitates community engagement — take or leave the ring By Oli Turner · Thursday, March 23, 2023
“Drowning” in love, Jessie Murph enlivens Center Stage on debut headline tour By Noor Aldayeh · Tuesday, March 21, 2023
Summer ennui, glitzy dancefloors, enduring heartache: The sounds of Miley Cyrus’ ‘Endless Summer Vacation’ By Ari Segal · Wednesday, March 15, 2023
Dave’s Cosmic Subs serves up sandwiches with a side of nostalgia By Jordyn Libow · Wednesday, March 15, 2023
Emory Chinese Theater Club: creating fun experiences, friendships on and off stage By Heather Lu · Wednesday, March 15, 2023
Short Story Dispenser delights students at Woodruff Library By Chaya Tong · Wednesday, March 15, 2023
‘Buried Truths’ fourth season podcast explores 1958 racial violence in 1958, serves justice 60 years later By Heather Lu · Wednesday, March 15, 2023
Review: Don Toliver’s ‘Love Sick’ consistent, ultimately unmemorable By Nathan Rubin · Thursday, March 9, 2023
Oxford production of ‘Circle Mirror Transformation’ celebrates theater spirit, reconnects human communication By Amiee Zhao · Tuesday, March 7, 2023
Review: ‘Cocaine Bear’ is high on adrenaline, low on charm By Bridget Mackie · Tuesday, March 7, 2023
‘Tesla vs Edison’ electrifies history with whimsy, humor, puppets By Alexandra Kauffman · Tuesday, March 7, 2023
Review: Nessa Barrett transcends gap between social media, music By Catherine Goodman · Monday, March 6, 2023
‘A Very Incomplete Self-Portrait’: An intimate approach to celebrating Black History Month By Eliot Vaughey · Saturday, March 4, 2023
Review: BIG|BRAVE meshes minimalist folk with crushing heaviness on ‘nature morte’ By Easton Lane · Saturday, March 4, 2023
AI DJ Spotify service creates new music experience, sparks debate By Shaylee Artus · Friday, March 3, 2023