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Monday, Dec. 2, 2024

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Arts & Life

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Kanye West's 'The Life of Pablo' is Brash, Eccentric

By Santiago Bolanos · Tuesday, Feb. 23, 2016

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Emory Students to Compete Nationally in L'Oréal's Case Competition

By Mengyao Yuan · Monday, Feb. 22, 2016

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'The Witch' Defines Evil On Film

By brandon wagner · Monday, Feb. 22, 2016

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Emory Does Mardi Gras

By Alex Marshall · Friday, Feb. 19, 2016

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Rihanna’s 'ANTI' Shows Vulnerability, Tenderness

By Hannah Conway · Friday, Feb. 19, 2016

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Biopic 'Race' Has Difficulty Keeping Up

By brandon wagner · Thursday, Feb. 18, 2016

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Decadence, Arrogance Abound in Future's 'EVOL'

By Santiago Bolanos · Wednesday, Feb. 17, 2016

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'Zoolander 2' Lacks An Understanding Of Comedy

By brandon wagner · Tuesday, Feb. 16, 2016

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Sia’s 'This Is Acting' is 'Unstoppable'

By Alex Marshall · Tuesday, Feb. 16, 2016

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'Deadpool' Understands What Makes Its Character Popular

By brandon wagner · Monday, Feb. 15, 2016

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My Favorite Film Romances (Since I’ve Been Alive)

By brandon wagner · Sunday, Feb. 14, 2016

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'Where to Invade Next' Fosters Dialogue About America's State of Living

By Logan Mendelsohn · Saturday, Feb. 13, 2016

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Vinyl Theatre is "Taking Off" in Music

By Ilana Berghash · Friday, Feb. 12, 2016

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Finish Ticket Are "Ones to Watch"

By Ilana Berghash · Thursday, Feb. 11, 2016

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Budnyk's Best Brews: Walkable Beer

By Sam Budnyk · Wednesday, Feb. 10, 2016

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‘Disgraced’ Seeks To Raise The Discourse, But Discourse At An All-Time Low

By Peter Witzig · Wednesday, Feb. 10, 2016

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'Pride and Prejudice and Zombies' Is Lifeless And Brainless

By Vikrant Nallaparaju · Tuesday, Feb. 9, 2016

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'Hail, Caesar!' Is A Film Fan’s Dream, A Casual Filmgoer’s Peril

By brandon wagner · Friday, Feb. 5, 2016

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Faculty Spotlight: Catherine Nickerson

By Alisha Compton · Friday, Feb. 5, 2016

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Judah & The Lion Roars With Versatility

By Hannah Conway · Thursday, Feb. 4, 2016

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