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Monday, Dec. 2, 2024

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Arts & Life

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‘The Boys from Syracuse’ Lacks Harmony, Surprise

By Anthony Chau · Friday, Oct. 21, 2016

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Season Three of ‘The Flash’ is Dark, Rushed

By Daniel Park · Thursday, Oct. 20, 2016

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Uncovering the Secret Life of a Resident Advisor

By Yoonsung Park · Wednesday, Oct. 19, 2016

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Doolino Knows Best: Fall Break Banality

By Emory Wheel · Wednesday, Oct. 19, 2016

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Fruit of Gap Year's Loins Bears New Perspective

By Niraj Naik · Wednesday, Oct. 19, 2016

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Uncomfortable Situations Brought to You by SOC 101

By Aditya Prakash · Wednesday, Oct. 19, 2016

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‘Preoccupations’ Delivers Charged Modern Take on Post-Punk

By Devin Bog · Tuesday, Oct. 18, 2016

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Oyelowo, Nyong’o Shine in ‘Queen of Katwe’

By Anthony Chau · Sunday, Oct. 16, 2016

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Daft Punk's Enigmatic Rise

By Brian Savino · Saturday, Oct. 15, 2016

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‘The Search for Life in Space’ Glimpses Potential Extraterrestrial Life

By Nick Reyes · Friday, Oct. 14, 2016

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‘Denial’ Embodies Documentary Drama Filmmaking 101

By Vikrant Nallaparaju · Thursday, Oct. 13, 2016

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Mac Miller’s 'Divine Feminine' is His Best Work to Date

By Brian Taggett · Saturday, Oct. 8, 2016

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‘Masterminds’ Keeps the Laughs Rolling

By Katherine McClure · Friday, Oct. 7, 2016

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Danny Brown’s 'Atrocity Exhibition' is Anything But an Atrocity

By Abdul Bingahlan · Thursday, Oct. 6, 2016

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Retro Rewind: 'Phantasm' (1979)

By Vikrant Nallaparaju · Wednesday, Oct. 5, 2016

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Doolino Knows Best: Rankings, Money and Drama

By Emory Wheel · Tuesday, Oct. 4, 2016

A Glimpse Into Trans Life at Oxford College

By Cecilia Schramm · Tuesday, Oct. 4, 2016

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Ian Fried: The Experience After Emory

By Marina Popova · Tuesday, Oct. 4, 2016

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This Week’s Best New Music

By Abdul Bingahlan · Tuesday, Oct. 4, 2016

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‘Ugly Lies the Bone’ Shows the Harsh Reality of Post-War Trauma

By Isabel Olson · Monday, Oct. 3, 2016

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