‘All Light, Everywhere’: An Odd Mix of Conflicting Interests
Films about films or the process, nature and culture of their creation are part of a storied tradition, from classics like “Rear Window” (1954) that muse on the voyeuristic nature of cinema to newer films like “Mulholland Drive” (2001) that critique Hollywood and the film business’ mistreatment of actresses. Baltimore filmmaker Theo Anthony’s documentary, “All [...]
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