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Thursday, Nov. 21, 2024
The Emory Wheel

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Grunge, rebellion, internet: The ’90s resurgence speaks to our modern dissatisfaction

Americans are stuck in a cultural loop, and nowhere is this more evident than in the resurgence of ’90s nostalgia. From the return of grunge fashion to the revival of bands like the Spin Doctors and Green Day, this sentiment reflects a deeper discomfort with the direction of today’s political and cultural landscape. This revival is not just some superficial longing for plaid shirts and power chords: It is a reaction against the soul-crushing forces of neoliberalism — a market-driven ideology that prioritizes corporate power and deregulations over public welfare — on the lives of working people since the ’80s and whose consequences have now come home to roost. 

The rise of neoliberalism traces back to conservative leaders like former President Ronald Reagan and former Prime Minister Margaret Thatcher, who championed deregulation, privatization and free trade agreements as keys to economic growth and individual freedom. But in practice, the consequences have deepened stagnant wages, the erosion of labor rights and a race to the bottom in global labor standards. By outsourcing jobs and weakening workers’ protections, they have shifted economic power to the wealthiest few while leaving workers in  precarious, low-wage positions. These trends have fueled today’s cultural discontent. In this way, the resurgence of ’90s culture is more than a longing for nostalgic escape, but a form of resistance. It calls for the reclamation of the activism and civic engagement that characterized the era in confronting the sociopolitical challenges facing us today, especially in the wake of former and U.S. President-elect Donald Trump’s return.

Of course, the ’90s were far from a utopia. The decade was marked by the uneasy end of the Cold War, the rise of second-wave neoliberalism and the first signs of growing economic inequality. Former President Bill Clinton’s support of the North American Free Trade Agreement and The General Agreement on Tariffs and Trade exposed the Democratic Party’s betrayal of the working class, forcing U.S. workers to compete with the low wages of overseas labor markets. This was nothing short of a full-scale assault on workers’ living standards, a continuation of the deregulation and corporate coddling that began under former President Ronald Reagan and which Clinton enthusiastically endorsed. Meanwhile, cultural movements like grunge and hip-hop rebelled against the excess of the ’80s and confronted racial injustice, as seen in the Rodney King riots, respectively. The ’90s, though politically complex, still felt like a time when the future held potential for change, driven by the belief that globalization and new technologies could create a more inclusive world. Today’s nostalgia for that perception of the ’90s, reflects a desire to reclaim a sense of creativity, rebellion and authenticity that feels desperately absent in today’s increasingly curated, algorithm-driven world. Americans disillusioned with modern corporate-dominated culture should embrace the resurgence of ’90s culture as inspiration to fight against the profit-driven world we live in. 

Much of the optimism of the ’90s has evaporated in the 30 years since. The end of the Cold War was a far cry from the new era of global stability many thought would follow. Leaders like Clinton and former British Prime Minister Tony Blair embodied an idealism about a world made better through capitalism and free trade, pushing policies meant to secure American and European leadership in a globalized world against the rise of China’s economic ambitions. Today’s reality could not be more different. The current increase in economic inequality, political polarization, and global instability could not make the promises of a more equitable world feel farther. In this context, the idealism of the ’90s now serves as a stark contrast to today’s discontent, reminding us of the cultural and political battles we still face.

The deep polarization of Trump-era politics has fractured society, intensifying the anti-corporate sentiment that fueled grunge and alternative music in the ’90s. The stakes, however, now feel much higher, intertwined with existential fears about the future of the planet, the collapse of public trust and the rise of authoritarianism. A recent conversation I had with the Spin Doctors made it clear that the band’s ongoing presence is more than just a nostalgic act. Lead singer Chris Barron told me, “I’m on the microphone just trying to get people to vote.” The optimism of the ’90s, built on assumptions of lasting stability, has proven to be fleeting as the realities of neoliberal policies and global power shifts come to the forefront. The urgency of civic engagement is clearer than ever – democracy itself is at risk.

Today, platforms like Spotify and YouTube curate content based on what will keep us scrolling and consuming, not on current events or social justice. Music has been commodified and detached from the countercultural roots that once defined it. Neoliberalism has made music less about art and more about product, a carefully packaged, easily marketable commodity that avoids risk in favor of profit. In such a system, creativity suffocates under the weight of corporate interest.

University of Wollongong Professor Renee Middlemost, an expert in pop culture, highlights that the resurgence of ’90s content reflects our desire to return to a time when things felt more straightforward. As people confront anxieties about the future, nostalgia offers comfort by allowing us to engage with the cultural touchstones of our parents’ era. But this longing runs parallel to a deeper disillusionment with the economic system that neoliberalism has imposed on us. In the ’90s, the idea of the American dream — in which each generation performs better than the one before it — still felt within reach. Today, it’s a distant memory, all but dead, for most workers and youth. 

Barron’s call for people to “find their humanity and to share it with each other” captures the heart of what most resonates in the message of the ’90s today. The revival of ’90s music and culture is, at its core, a call to rebellion. Just as the ’90s were defined by cultural and political defiance, today’s resurgence signals a desire to reconnect with that rebellious spirit in the face of a system that has failed us. Neoliberalism has reduced our politics to an empty spectacle, our culture to corporate curation and our futures to a footnote in the balance sheets of the rich.

The nostalgia we see today is more than a trip down memory lane — it is a call to action against the neoliberal forces that have hollowed out our culture and crushed the American dream. The time for rebellion is now.

Contact Eliana Liporace at eliana.liporace@emory.edu