‘French Exit’ Is Not Worth the Entrance Fee
It’s often said that imitation is the sincerest form of flattery, but director Azazel Jacobs’...
Read MoreIt’s often said that imitation is the sincerest form of flattery, but director Azazel Jacobs’...
Read More“Waves” should be a great film. It’s beautifully shot, well-acted and nicely scored. However, it...
Read More“Boy Erased” is unlikely to leave a single dry eye in theaters. Based on Garrard Conley’s 2016...
Read MoreThis is the second installment of a four-piece series of reviews of the Toronto International Film...
Read MoreThe places and times in which we grow up often become inextricable from our future selves, whether we like it or not. Some films attempt to capture that sentiment, but few achieve it as perfectly as Greta Gerwig’s “Lady Bird,” a...
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