All posts by "Vikrant Nallaparaju"

Film Critic Vikrant Nallaparaju is a College Sophomore from Houston, Texas studying Anthropology and Human Biology. This is his second year writing for the wheel and the first serving as film a critic. When it comes to movies, he can usually be found watching the films of Joe Dante and lamenting the fall of John Carpenter.

The spectre of the “overseas market” has loomed over Hollywood the past decade like an ominous ghoul, but has never been so apparent as in the last few years. From ...

Like this film’s iconic curse, the inevitable plague of January horror films finally captured my attention. Bluntly, Rings is a terrible movie: it’s predictably plotted, blandly shot and boring. Whereas ...

There’s something prescient about the timing of The Founder’s release. Appearing just days before one of history’s biggest business moguls took the presidential office, this film feels like both a ...

January is generally a wasteland for new movies, especially horror films. While the cream of the creepy crop receive top billing in October, most cash-grab remakes and dismal sequels are ...
Courtesy of Walt Disney Studios Motion Pictures

  Another Christmas season, another new Star Wars film. When Star Wars returned to the forefront of the pop culture conversation roughly a year ago with the release of The ...

  Generic Christmas movies are a dime a dozen, so one doesn’t have to look far to add something new to their annual rotation of Home Alone and National Lampoon’s ...
Courtesy of Walt Disney Studios Motion Pictures

By this point, Marvel Studios is a well-oiled blockbuster machine, capable of producing commercial hits without batting an eye. Yet film critics routinely pan their overreliance on a formula, resulting ...
Courtesy of Columbia Pictures

“Dante? Why is it always Dante?” That’s a good question, Tom Hanks, and one I pondered as I left the Inferno screening. Why did Hollywood yet again indulge Dan Brown’s ...
Courtesy of Bleecker Street Entertainment One

Documentary dramas are often difficult to critique in that to criticize them is to criticize the people whom they depict. While one could easily point out flaws in cinematography, editing ...